Interpretation of the Law
Epilogue: Intro
Every so often, I get stopped by the police in Japan. Sometimes it’s after a high-profile terrorist attack in Europe, or when I’m in situations that allow for suspicion like airport security. Other times, it just seems to be my turn as a foreigner to be searched. On this particular Friday night, it definitely felt like the latter.
1: Not Just Another Friday Night
Roppongi, Tokyo. May 2023, 19:30 Friday Night.
I’m walking up a backstreet of Roppongi, just a block from my Friday night dance lesson, when a chubby Japanese man jogs up beside me and asks to see the Leatherman clipped to my belt.
I tell him “no.”
He flashes a badge, and out of nowhere, two more undercover officers appear, boxing me in against the wall in case I try to escape. With no real choice, I let him unclip the tool from its holster. While he and one undercover officer inspect it, the other questions me.
“Where are you going?” he asks.
My eyes stay glued to the chubby officer’s hands as he unfolds each tool, one by one. “I’m on my way to a class,” I answer. “A class?” he repeats, clearly skeptical-after all, this is the red-light district. I watch as the chubby officer finally pulls out the knife, my mind bracing for a long lesson.
They measure the knife, and sure enough, it exceeds the six-centimeter limit of the law. I do my best to explain, in broken Japanese, that the tool is for work purposes. Three cops become five, and soon the alley is so crowded that pedestrians have to squeeze past us, casting curious glances-only to quickly look away if we make eye contact.
I remember stories from colleagues in my industry who faced similar situations. One friend was searched on his way to work, Leatherman in his bag. He explained himself and was let go with little fuss. Another friend wasn’t so lucky-he was stopped with his Leatherman in the car, nowhere near work, and ended up facing a long interrogation. Thinking of them, I remind myself that I’m not alone in this; others have navigated these moments before me, and I can too.
I make my case, explaining that I’m coming from work and that’s why the Leatherman is in my possession.
“It does not matter,” one officer objects. “It should stay at the office.”
I try another angle. “What if I just bought it?”
“Did you just buy it?” another officer presses.
My instincts tell me that even if I had just bought it, heading to the club instead of work would still be a problem.
“No, I didn’t just buy it.”
They measure the knife-once, twice, then again. Each officer insists on having his say, taking a turn with a different measuring stick. It isn’t that they expect a different result; it’s as if they need to be one hundred times five percent sure-or maybe just to look competent. The same six centimeters are scrutinized from every possible angle, over and over, until I lose count. With each new measurement, another officer appears, and soon there are seven, each one reminding me how forbidden it is to carry a knife this size.
One even tells me the neighborhood is dangerous and I shouldn’t carry a weapon. By that logic, I think, wouldn’t it make even more sense to have something for self-defense?
2: Arrested without Handcuffs
The officers sift through my IDs and business cards, their eyes darting between my face and the names, as if searching for cracks in my story. They pat down my shirt and pants, their hands methodical, impersonal-until one gives an uncomfortable squeeze around my crotch. I tense up, and for the first time, I catch a smirk on the chubby officer's face as he registers my discomfort.
When they finally hand back my wallet, keys, and phone, I feel a fleeting sense of relief-quickly replaced by confusion as they usher me past a graveyard and down towards a dark intersection where a nondescript blue van idles at the curb. Two more officers wait in the middle of the block, bringing the total to nine. Not a single one wears a uniform and there isn’t a police car in sight. The whole scene feels surreal, as if I’ve stumbled into the hidden world of the Japanese justice system.
“Where is the cop car?” I ask, my voice betraying my suspicion.
The officer in charge glances at me. “We are detectives,” he says, his tone flat. He passes the Leatherman to the waiting officers, who immediately begin measuring the blade-again. The ritual feels endless, but the fact that I’m not in handcuffs, or physically restrained, gives me hope that time, for the moment, is on my side.
Up until this point, most of our conversation was a patchwork of their broken English and my broken Japanese, which only added to the confusion about what to do with me. Finally, one officer holds out his phone, the screen glowing with a Google Translate message: We want to talk to someone from your work who speaks Japanese.
A stoplight glows in my mind, and I think, “I’m not dancing tonight.” I dial the number of the one man I know can get me out of this situation. The Dutchman picks up. I briefly explain my predicament, knowing he can fill in the blanks. He’s been through something like this before, and his advice is blunt: be as compliant as possible. I’ve already pushed back as much as I dare, toeing the line without raising my voice. But when the most combative foreigner I know tells me to cooperate, I listen.
He doesn't mince words. If the cops get upset, he warns, they’ll find a way to systematically take me down, piece by piece, and lock me up-no lawyer, no defense. His words settle over me like the massive counterweights of a Dutch canal bridge-designed to keep things in balance, but heavy enough to pin you in place. Compliance, for now, is my only way out.
I hand the phone to the officer in charge and listen as the Dutchman calmly explains the reason for the tool. Another officer approaches and says we’ll be heading to police headquarters. He adds that they’ll need an English translator, and if they can’t get one today, I’ll have to come back another day. In my mind, that either means a scheduled return-or being held in custody until a translator can be appointed, maybe over the weekend or even into Monday morning.
I steel my spirit for the worst case scenario. I recall reading about an American who’d been caught with a bag of cannabis at the airport. He was held for days without any outside contact. When his lawyer finally saw him, the young man was spiritually broken.
I am determined not to let that happen to me.
Two more cops arrive, this time in uniform, bringing the total to eleven. I am told to sit behind the driver’s seat in the van. I haven’t been formally arrested, but it’s clear I have no real choice.
The phone is handed back to me. The Dutchman lets me know he and our Japanese amiga are on their way. He reminds me once more to cooperate and triple-checks if I’m headed to police headquarters in Minato-ku.
“Once they bring you in, you won’t have access to your phone. You won’t be able to contact anyone. So are you sure that’s where they’re taking you?” he presses.
“That’s what I’m told,” I confirm.
He hangs up, and the officers close the van doors beside me. I think, if they can hold up Carlos Ghosn-a global CEO with resources and lawyers-what chance do I have in samurai heaven?
I look out the window as, yet again, they measure the blade. This time, they place it on a white slab, carefully lining up the ruler and snapping photos from different angles. To a bystander, it might look like evidence in a murder investigation.
One of the detectives who pulled me over slides into the back seat beside me. I decide to play nice and strike up a conversation about a topic that never gets old in Japan: the weather. He responds cheerfully, commenting on how the temperature seems to change every week. “I don’t know whether to wear a winter coat or a spring jacket,” he says with a smile.
It’s then that I notice something odd. None of the detectives wear masks-only the uniformed police do. It might sound strange to a Westerner, but since 2020, and well into 2023, every Japanese person in a government or public role kept their mask on at all times. Yet here, not a single detective bothers. The contrast is as striking as the situation itself. I’m in an underground world of surveillance, but unlike public life, here I can see faces.
3: The Police Station
The ride is short. They still haven’t put handcuffs on me, so I’m not sure if I’m technically under arrest or just being brought in by persuasive force. One thing is clear: this isn’t voluntary.
Before I can even pass the front desk at the ward headquarters, I have to stop for a COVID temperature check. The machine flashes green-36.6 Celsius.
I can’t help but wonder: If I had a high temperature, would they let me go home?
We step into the elevator and ride up to an office floor that has the unmistakable air of a SWAT team base. No one wears uniforms; everyone is dressed in black, and a couple of Teflon vests lie casually on a desk. The detectives escort me to an interrogation room that looks eerily like the one from my high school days. Déjà vu.
The leader of the group points to a chair in the corner for me to sit. As I reach for it, he stops me with a curt command.
“Wait a moment, please. First, I need you to empty your pockets.”
Another officer slips out and quickly returns with a transparent case, about the size of a bento box. My wallet, smartphone, pen, marker, keys, and a metal USB drive are placed inside. The commanding leader among them, perhaps a sergeant, picks up the USB drive.
“Can you tell me what this is?” he asks, turning it over in his hand.
“That’s a USB stick,” I reply.
His forehead wrinkles into a question mark. He twists the metal cap off, peers inside, and his eyes seem to say: “USB. No drugs.”
“We’ll have to pat you down before we get started. Please raise your arms,” he requests.
He and another officer pat me down from chest to ankles while a third keeps a close watch. The sergeant’s hands linger around my crotch.
“Whoa! Whoa!” I blurt out.
He pauses, looks me in the eye, then gives me one more firm pat-just to remind me who’s in charge.
I think to myself, I’m tired of all these male cops rifling through my possessions and patting my nuts. Please, let the next cop who walks through that door be a woman.
They ask me to take off my shoes. I step out of my sneakers, standing there in my socks with an ever-expanding internal monologue. As they search through my footwear, I decide: If I meet a female cop, I’ll make it my mission to ask her out on a date.
“Please put your shoes back on,” the second cop says. As I bend down to slip them on, the third officer steps further into the room. When I stand up, I catch him eyeing my chest, where my necklaces hang-a cross, a Spanish family gold coin, a stone of Dominican amber, and the tooth of an Amazonian predator.
He inspects them more closely and fingers the edges of the tooth, clearly wondering if it could be used as a weapon. I almost ask if he wants to measure it, but bite my tongue.
“Should he be carrying this?” he asks his sergeant.
The sergeant takes a glance at the tooth from across the room.
“That’s not a problem,” the sergeant replies, waving it off.
Finally, the sergeant gestures for me to sit. He and the third cop step out, leaving the second to stand guard.
Anything feels possible at this point, and the ax of justice seems to hang on their discretion. The fact that I’m in this room means I won’t be let go with just a warning. Maybe I’ll be locked up, maybe fined, or maybe the Dutchman and our Japanese amiga will find a way to get me out.
The second officer stands tall. He and the others probably know judo or some martial art to restrain a suspect-and they have guns. But I can’t shake the sense that not one of them has a clue about romance. I might not have a lawyer in the room, but my own form of justice will take shape if, and when, a woman in law enforcement arrives.
After working with these grunts all day, I imagine there must be a Freudian longing to be wined, dined, and swept off their feet by a gentleman-anything to break the monotony of bureaucratic posturing.
The sergeant returns, and behind him comes a woman in SWAT-like attire, maskless. Her face is hardened and commanding, but there’s a kindness in her stride. It takes only a second to recognize her professionalism.
She sits across from me. Moments later, another female officer enters, this one in a standard police uniform and wearing a mask. Her eyes look green-not in color, but in experience; the eyes of a beginner, a rookie not long on the force. She takes a seat at the table between us.
The woman across from me speaks in Japanese. The young cadet turns to me and says, “Hello, I’m going to help translate. This is our interrogator. She would like to ask you some questions about tonight.”
4: Interrogation
The interrogator begins her cross-examination with the same questions I’d already answered for the rest of their law enforcement crew. But she also asks questions related to my interactions with the detectives. Some of her sentences go over my head, while others I understand perfectly. However, my reply in Japanese would be too dysfunctional to dispel their suspicion, so I let her kōhai-the young cadet-translate everything.
“She wants to know what you use the knife for?” the young cadet says.
“I carry a multi tool that I use to build sets, fix equipment, and repair gear,” I casually tell it like it’s common knowledge.
The cadet speaks English, though she’s not a native speaker. I’m lucky they’re willing to settle for her, rather than detain me until a qualified translator arrives on Monday morning.
“She wants to know how exactly you use the knife,” the young cadet asks for further clarification.
“I have to cut materials, slice up diffusion, and do other craftsman like work that requires me to carry a multi tool. That’s why I carry a multi-tool. It’s standard for my line of work,” I explain, keeping my vocabulary simple to avoid any misunderstanding.
The cadet translates my response, and the interrogator replies in a tone reminiscent of a lawyer building her case
“In America, you can carry a gun or a weapon, but in Japan, the laws for carrying arms are very strict. Any blade six centimeters or longer is illegal. It must be for work, and if you carry it, it needs to be wrapped and kept inside a bag.”
The young cadet does her best to not only translate the words, but also to echo the interrogator’s precise, almost prosecutorial delivery in English.
I nod to show I understand, choosing not to argue. There’s nothing to gain by pushing back; better to let their process unfold.
The interrogator’s eyes are daggers, digging into me as she fires off her next question. The cadet translates, her own eyes shining with concern.
“She does not understand why a filmmaker needs a knife for their job.”
I reply in a steady tone, “I have to cut rope and other materials from time to time.”
I pause, gesturing as I gather my thoughts. I did not expect to make a court case out of using a basic tool for my job.
“I don’t just hold a camera and press record,” I explain. “That’s only half my work. The other half is like a construction worker-building, fixing, and dismantling scenes and camera equipment.”
I meet the cadet's gaze, and I can see she believes me. Or at the very least wants to believe me.
She passes on my explanation, her words carrying a subtle undertone of my innocence. The interrogator nods, a distant glow flickering in her eyes.
Then comes the setup: “Did you use your tool today?”
Before the cadet can repeat the question in English, my mind races. If I say no, I dig myself deeper. But I can’t recall every mundane use of an everyday tool. If she asked if I wrote something with my pen, I’d probably say “yes” on reflex.
The young cadet asks the question in English.
“Yes,” I say. “I used the tool today.” I can’t confirm it in four seconds, but I can’t deny it either.
Before the young cadet can translate my simple response, the interrogator presses on: “How did you use it today? What did you do?”
She scans my every move, searching for any hint of a lie. I’m tempted to fire back-does she use her gun every day to justify carrying it? But I know logic or a smart mouth won’t save me here; it’ll only reinforce the stereotype of the western gaijin who doesn’t know when to shut the fuck up.
As the young cadet finishes translating, I let muscle memory override my mental hard drive. I mime using the pliers of the multitool, and suddenly the memory surfaces.
“I used the pliers to remove a tightened screw from the camera body,” I say, as if it’s the highlight of my day. In a way, it is-because it lets me save my Latin ass with the truth.
The interrogator seems satisfied. She moves on, asking about my workplace, my home, my transportation. She had already asked these questions when we got started but rephrases them just to catch any cracks in my story-a classic technique.
Gradually, the interrogation starts to feel more like a conversation. Even through a translator, she manages to lower my guard. I aim to do the same.
“What were you going to do in the area?” the interrogator asks. The young cadet translates. “I was on my way to a dance lesson,” I reply, and the cadet relays my answer.
“What kind of dance?” The interrogator’s curiosity flickers, fanning that distant glow in her eyes. The young cadet mirrors her interest-maybe even amplifies it.
I let my Dominican accent take over, letting my voice linger on the word like a secret they wish they knew.
“Bachata.”
The cadet hesitates, unable to translate what she doesn’t know. She leans in, her tone eager.
“What is Bachata?”
Our eyes meet.
“It’s a Latin dance that expresses love through the movement of your body. If you’ve ever been in love, wanted to be in love, or are in love, you can express that emotion by dancing bachata.”
Her pupils widen with every word, each love bomb landing right on target.
“Wow. Sugoi! ” she exclaims, a bit of her professionalism slipping away in the moment.
The interrogator’s attention shifts to her subordinate, craving a translation.
She listens to her subordinate tell it just as I did, but with a twist of Japanese feminine enthusiasm.
The interrogator's eyes light up.
5: Photoshoot
The pair return their attention to me, and the interrogator asks another set of questions related to my original plans.
She asks, “Were you planning on meeting someone?”
“No.”
“Who was going to be your dance partner then?”
“That depends on who shows up,” I openly say.
The young cadet translates until we hit a dead end, and then the topic shifts to another set of questions involving my peers at work. The interrogator’s questions are clearly designed to get the name of someone who knows me-someone who can verify who I am beyond the ID cards.
She continues, “How many people do you work with?”
“About fifteen.”
“Do they know you are here?”
“Two of them are on their way," I reply with a sense of confidence.
I feel a faint vibration pass through the table. The plastic box with my belongings sits between us.
“They might have messaged me. If I can check my phone, I’ll let them know I am here,” I suggest.
“No. You can’t use your phone here,” she firmly answers.
An invisible thought bubble emerges over my head. The Dutchman was right. Once you’re in here, there’s no contact with the outside world. That American right to demand a phone call doesn’t fly in Japan.
The plastic box is transparent, and my phone is visible, but the screen is facing away from me. Help has either arrived, or I’m getting Italian football updates.
The sergeant walks in and places my IDs on the table. He speaks, and the cadet promptly translates.
“He wants to know which is your first name and which of these names is your family name.”
Japanese society doesn’t have middle names or family names from both sides. I point to each answer. He takes the IDs and steps out of the room. The door is wide open. It never closes. This isn’t like Hollywood films where a suspect is in a room with two cops, door closed, bad lighting, and a one-way mirror. There is still bad lighting, and besides the ladies interrogating and translating, there’s one male guard in SWAT-like apparel standing at attention. His presence is obvious in a small room, but he never moves, shifts, or speaks-which makes it easier for me to ignore him and focus on the focus puller sitting across me.
The interrogator pulls out a point-and-shoot camera and asks me to stand for an unofficial mugshot. The guard steps out to make space. The young cadet walks me through the interrogator’s instructions.
“If you can stand here. Ok. Now please face the camera.”
Snap!
“Now please turn to the left.”
Snap!
“Please show her where you had the blade when the officers stopped you.”
I point to my right hip along the seam between my jeans and shirt.
Snap!
The interrogator steps back to take a full-body image. She brings the camera back down to make a request.
“She’d like you to pull your pants down,” the young cadet says.
My eyes dilate and I ask for clear confirmation. “I’m sorry, what does she want me to do?”
“She wants the pant legs rolled down. You have them rolled up,” she clarifies.
“This is how they found me. It was a warm night that was gonna get hotter, so I rolled up my jeans,” I say.
The cadet translates, and the interrogator nods.
Snap!
They ask me to sit back down, and I do, thinking to myself that I’m sharing too much information. More often than not, talking too much only adds confusion and deepens suspicion. It’s better to keep my mouth shut unless I need to clarify something. I pop the invisible thought bubble above my head and empty my mind, waiting for further instructions or questions.
“Please wait one moment,” says the interrogator in Japanese. That much, at least, she knows I understand.
She steps out, and in pops the guard, still standing at attention. The young officer and I sit in silence. Without directly looking at the guard, I pay close attention to the signals he’s sending. His attention is completely on me-like security at a casino when someone is winning too many hands at a blackjack table.
No matter how this turns out, I’m going to play the hand that wears a velvet glove, not a cast iron one. I turn my attention to the cadet next to me.
“I like your hat.”
6: A Beautiful Cop
“Really? I don’t like it. I want to wear the cap the men use.”
She says it with a hint of embarrassment.
“Nah. Well…”
I stop short of making an argument and switch lanes, asking a question instead.
“Given a choice, would you disarm a man through your uniform or your gun?”
“My uniform. I prefer not to shoot someone,” she says, with a bit of nervousness at the thought of ever being put in that situation.
“Rebels in society despise authority, and the male police cap puts them on their guard.”
I pause to make sure she understands my English, and she does. Then I glance at the guard standing behind her, and he does not.
“Your hat has a cute feature that brings a man’s guard down. Feminine features disarm a man,” I continue.
“Really?!” she exclaims, as if struck by an epiphany.
And if that doesn’t work, you’ve still got the gun, I think to myself.
“How is it that you speak such good English?” I ask, genuinely curious.
“I lived abroad for a couple of years,” she says, her tone carrying a hint of cherished memory.
Her mask denies me a face to the voice, but her eyes beam with life-a spirit that wants to live and enjoy every moment, even in a dangerous occupation.
“How long have you been an officer?” I ask.
“A couple of years,” she says.
“Are you assigned to this police station because you live nearby?”
“No, no, no, no, nooooo. You don’t get to pick. They pick for you, and that’s where you’re assigned,” she says, with a cloud of resignation-having accepted her fate.
“But because you live in Tokyo, you’re assigned to a police station in Tokyo?”
“Of course,” she says, as if it’s the most obvious answer in the world.
I nod and let the silence between us speak for itself. It tells me to be careful with the guard. He may not understand English, but he’s reading my body language and listening to her tone of voice.
Although the cadet’s back is to the guard, the lull in conversation makes the atmosphere in the room uncomfortable for both of us. Her eyes wander around, impatiently waiting for her senpai to return.
“Are you originally from Tokyo?” I ask.
“No, I’m from Gunma,” she answers.
“Oh, you’re from Gunma?!”
“Yes. You know it? There’s nothing there!” she exclaims, a little embarrassed but no longer uncomfortable.
“There are a lot of Brazilians there,” I acknowledge.
“Yes, there are! Have you visited?”
Now she’s the one asking the questions.
“Gunma has very good camping places,” I add, hoping she’ll take some pride in her hometown.
“Wow, you know it very well,” she says, her voice full of surprise.
“Was it difficult to find an apartment in Tokyo?” I ask.
“Yes. It’s very expensive to get an apartment in Tokyo,” she exclaims, exaggerating her head nod in agreement.
She continues, “At the moment, I live in a women’s dormitory provided by the academy. When I save up enough money, I’ll get my own apartment.”
The guard shifts his weight from his right leg to his left-a slight movement, but it gives him a better angle on the cadet’s masked face when she looks in my direction. Perhaps he’s hoping to read the subtle muscle movements around her left eye and temple whenever she responds to me.
“Did you find it difficult to get an apartment when you first came here?” she asks me.
“I slept on the floor,” I reply, not looking at her.
Silence returns and she faces forward. I shift my posture toward the wall in front of me, leaning into the table and tilting my head so that only the guard can see my face.
“What do you enjoy doing when you’re not working?” I ask her.
“I like to cycle,” she says.
I think to myself, I like to motorcycle, but I keep that detail to myself.
She turns her palm upward, offering me a question.
“What about you? What do you like to do?”
“Besides dancing?” I remind her, a teasing smile tugging at my lips.
She nods, her eyes smiling. I take notice of them while carefully avoiding eye contact with the officer standing guard behind her.
“I like to cook,” I say.
“Really?! What do you cook?” she exclaims.
I was going to say Argentinian dishes, but instead I go with its closest relative.
“Italian food. Like gnocchi and pasta,” I say.
“Wow. I love Italian food. One of my favorite restaurants is an Italian place in Shinjuku,” she responds with enthusiasm.
As we talk about our favorite meals and places to have dinner, I sense the guard’s growing discomfort with every laugh and positive response she gives. There’s probably some unspoken rule or expectation that forbids their female counterpart from getting close to a foreigner-especially one in custody.
We continue to chat, and I adjust my body language to throw the guard off. My hands and movements become more like those of a professor explaining a lesson, rather than a gentleman flirting at a bar.
“May I use this pen? I’d like to write down the name of your favorite restaurant,” I explain.
“Sure,” she says.
I am paperless, so my only option is to write it on my hand. The expression on the visible parts of her face tells me she thinks I’m odd yet resourceful. She’s right on both counts. The conversation quickly turns into a tour guide of the best places to eat in Tokyo.
For reasons unclear to me, the guard steps out of the interrogation room, leaving us alone. Once again, we sit in silence. My attention shifts to any sound coming from outside the door. In the distance, I can hear the Dutchman arguing on my behalf.
“You know, at first I was really upset about this whole situation,” I tell her. “But things happen for a reason.”
She follows along, waiting for me to give her a reason.
“The reason I was brought in,” I pause, locking eyes with her, “was to meet you.”
7: Flirting with the Law
Her mask cannot hide her red, blushing cheeks; her eyes glitter like a hanabi night, and her involuntary smile is undeniable. Yet she must look away, and she does. She controls her exhale and says nothing. There is nothing about her vibe that is impatient or withdrawn.
I point to the writing on my hand.
“Why don’t I take you to your favorite restaurant?” I ask.
She slowly nods, perhaps searching for the right response-one that doesn’t deny her heart nor betray her position.
“Ok,” she says.
“Ok,” I echo.
Steps sound by the door and an unfamiliar officer enters, holding forms. He’s tall and lanky, his attire more reminiscent of a green beret in the forest than a police officer. He sits across from me, explaining a few things I must acknowledge.
The young cadet translates, her tone shifting to bureaucracy.
“A knife has to be kept at home or work. If you use it for cooking, it must stay at home. If you need it for work, it must remain at work.”
I nod in acknowledgment.
He continues, and she translates with a serious tone of voice.
“If you have to carry it, it must be wrapped in a towel and put inside a bag. A knife cannot be kept in your car. Unless you are camping.”
He slides one of the forms across the table and instructs her to explain.
“On this document, you have to write down what he said. You have to write that you understand,” she says kindly.
I scan the page. It looks simple enough-nothing incriminating, I hope.
“Do I write it in Japanese or English?” I ask.
Without checking with the officer, she answers, “English is fine.”
They both watch as I write out the statement. The green beret across from me seems to read as I write. He probably doesn’t speak English fluently, but like many Japanese with some formal level of English education, he can read it.
I put the pen down and the young officer takes the document to read my statement. She quickly goes through each sentence, then turns to the officer in green beret attire.
“Yes, it’s ok. Daijobu desu,” she confirms.
He passes her an ink pad, and she opens it toward me.
“Put your hand here,” she orders, gesturing to my left. She’s starting to sound like immigration at the airport: just do this and that, no explanation.
I press my index finger into the ink for fingerprints. Unfortunately, this doesn’t require explaining, thanks to Boston Public Schools. Before they taught me and my classmates how to spell Massachusetts, they taught us how to press our fingerprints onto an ink pad and mark them onto a sheet of paper. We were six years old, getting our fingers dirty and having fun, but I can only guess why they taught us this.
“Press your finger here,” she commands.
A copy of my fingerprint now sits where the Japanese inkan would normally go on contracts and signed seals. My fingerprint is now my signature.
The green beret takes my statement, then presents two other documents. He explains the first for the cadet to translate.
“This is a form for you to sign. It states they have returned the knife to you,” she says.
“But they haven’t,” I reply, surprised they would return the knife at all. Does this mean I will go home tonight? I wonder, but don’t ask.
“No, they have not returned the knife to you,” she acknowledges.
“When they do, then I will sign it,” I say.
She translates, and the green beret agrees. He asks me to wait and steps out, leaving us alone again.
We sit in silence. My attention shifts to any sound outside the room. I hear neither the Dutchman nor anyone else. She looks up at the ceiling, avoiding eye contact.
The awkwardness in the room begins to return, and before the green beret returns, I pop the question, “Would you like me to give you my contact details?”
She replies, matter-of-factly, “No need. It’s in the system. I can look it up.”
8: Social Media
I laugh out loud.
“Of course you can,” I reply.
“What?”
She’s not asking what I said, but rather why I said it-what I meant by it.
I find it funny that a female cop would get my number off a police record. But my sense of humor is something I’d rather not explain.
“Nah, nada. It’s nothing,” I say, my tone now composed.
Before I can change the subject, the sergeant enters the room. He places a wrapped blue scarf on the table. I recognize it instantly-it belongs to my Japanese amiga. Wrapped inside is the multitool, the Leatherman, but to the police, it’s simply “the knife.” He gives me the rundown again on the rules for carrying it, then adds a bit of context to help me understand their caution.
The young cadet translates with a procedural tone. "As you know, there was a recent stabbing on the train."
“This week? Or the one from over a year ago?” I ask her to confirm.
“Yes, a year ago,” she replies. “So we take knives very seriously.”
I acknowledge their concerns and wonder if the assassination of Abe Shinzo has everyone on edge and dressed in SWAT team attire. Once it’s clear that I understand him, the remaining forms are placed in front of me.
“There are two documents for you to sign,” she says. “The first one acknowledges that you gave the officers permission to search your wallet.”
I divert my eyes to the ground, considering whether I should be confrontational. I rewind to when I was stopped and searched. I didn’t agree to any of it and clearly recall one of the officers taking my wallet and going through it to find my driver’s license.
Returning my attention to the cadet, I tell her, “But I didn’t give them permission to search my wallet.”
“Oh, you didn’t?” she says, surprised.
“No,” I affirm.
She relays this to the sergeant, whose expression is either defensively disagreeable or simply recalling the events differently.
“He says that you gave him permission to search your wallet,” she insists.
“He was on the phone. It was another officer who took my wallet without my permission,” I clarify.
She translates, and he responds with a thoughtful, “Naruhodo. Hmmm.”
We stare at each other in a moment of silence. I address him directly, letting the cadet translate.
“If I don’t sign this form, what will happen?” I ask.
She translates. He replies. She turns back to me, her voice tinged with exhaustion. “It can make things a bit difficult.”
I get the message.
“I just want to make things easy. If I sign these forms, am I okay to go?” I ask.
She relays my question.
He nods, and she echoes his agreement. I fill out the document and press my fingerprint onto the page.
“If you can now fill out the second form, please,” she says.
“Chotto matte,” the sergeant interrupts, taking the scarf-wrapped knife and stepping out.
He probably needs to remeasure it.
The young cadet lets out a deep sigh. It’s almost tomorrow, and her eyes look dead. If the table had a pillow, she’d probably lay her head down and fall asleep. Her shift was probably over when they called her in to help with the interrogation.
The sergeant returns and places the scarf-wrapped Leatherman in front of me. He fills out the second document and I stamp it with my signature fingerprint.
That should be it. But no-another question.
The young cadet translates, “Do you use social media?”
I think, what the fuck does that have to do with anything? My patience is thinning.
Out loud, I keep my tone polite. “Why is that important?”
They speak, and she tells me, “They just want to know if you use social media.”
Both my thoughts and body language say the same thing: The fuck do they want?!
“Yeah,” I say.
The sergeant then asks which social media platforms I use. I don’t need a translation for any of this, but I let the cadet speak on his behalf.
“On which social media platforms do you have an account?” she asks.
I give them the most apolitical reply I can think of: “YouTube.”
The lead detective presses further, wanting to know if I use other platforms.
“Do you have a Twitter account or use Facebook?” the young cadet translates.
“I use Facebook sometimes.”
“Nothing else?”
“No. Just YouTube and Facebook,” I tell her.
She translates my obvious answer, but he still gets it wrong, replying in Japanese that I have a Twitter account.
“I don’t use Twitter,” I declare. Yet as soon as I say it, I regret it.
Perhaps the Arab Spring, or the waves of online political movements that has them so cautious about releasing me. But maybe it’s that very ambiguity that keeps them from asserting their authority.
9: Free
The sergeant stands up and signals for me to gather my things from the plastic box. I pocket my items and grab the scarf-wrapped Leatherman. He leads me out the door, the young cadet following behind. The office is empty-there’s not another cop in sight. Perhaps everyone clocked out.
We turn the corner into the hallway, and there they are-all the detectives who brought me in, plus the interrogator. All eyes on me. I scan the group and spot a tall Dutchman in a cowboy hat and glasses, wearing a rare buttoned-up dress shirt for the occasion. I give him a casual salute, like a general on the battlefield. He keeps his game face on, a silent reminder that even though I’m out of the interrogation room, I’m still deep inside police headquarters.
Next to him stands my much smaller Japanese amiga, sweetly dressed in white like a counselor ready for court. She probably made the biggest impression tonight.
The sergeant walks me over to the group. The Dutchman gives me a firm, stoic handshake. I smile at mi amiga and pull her into a big hug, grateful-knowing she did something for me, even if I’ll never know exactly what. It reminds me of when Mom got me out of jail.
I turn around and see a hallway lined with cops. The Dutchman says, “Thank you. Goodbye.” Then, all the officers bow to us.
“Arigatou gozaimasu,” I reply, mixing a western bow with a salute to the young officer and her senpai.
In the blink of an eye, the three of us are in an elevator heading down to the lobby, unescorted. The feeling is strange-like stepping out of a battlefield long after the fighting has ended, yet at the same time like my parents picking me up from the principal’s office. Is this relief? Exhaustion? Or is it just the surreal quiet that follows a blind man’s chaos?
We stay silent until we step outside the building and hail a cab.
“Sorry to put you guys through this,” I say as we walk out to the parking lot.
“No, don’t worry about it,” he replies.
“Yeah, we’re just happy you’re okay,” she adds.
“They were gonna fucking charge you. You don’t know how lucky you are,” he says, keeping his eyes on the cab he’s trying to hail.
“Yeah, I had to calm him down and be extra polite to the police,” she says. “I must have apologized a hundred times.”
A cab pulls up, its doors opening automatically for us.
“Yotsuya onegaishimasu,” the Dutchman tells the driver.
“Thank you for letting them use your scarf to wrap the tool,” I say to her.
She smiles warmly. “No, don’t worry about it. It’s nothing.”
“I had to show them photos of you behind the slider with the camera and the set we built for that CEO’s presentation,” he says, sounding relieved. “Lucky I took the photos. I kept arguing, ‘You see those chains hanging? He had to use the knife to cut the rope so he could hang them.’”
“I had to tell them that all our production people use this tool and you just forgot you were carrying it,” she says.
“It’s crazy we were planning to cut it down to five centimeters before I left the office, but decided to save it for Monday,” I remind them.
“That wouldn’t have mattered. I told them we’d cut it down to five centimeters so it wouldn’t be a problem, and they were still like, ‘mada dame,’” he says, frustration in his voice.
“So they would have still brought me in if I had it at five centimeters?” I ask.
“Probably,” he replies, looking out at the Akasaka streets.
“Well, I appreciate you two dressing up for the occasion. I’m sure it made a difference."
“No, it’s okay. I had this outfit sitting behind my chair,” she says with a small laugh.
“I couldn’t go in there wearing my Grumpy Old Man T-shirt,” he says, then adds, “When we get back, you’re fucking throwing that tool in the trash. I already ordered you a new Leatherman without the blade.”
I thank him with silence. I know the real gratitude will be shown by not getting caught up in this mess again and working even harder on all our shoots.
The Dutchman has the cab stop near the supermarket instead of the office so he can pick up a bottle of whisky to close out the night. Before he can take another step toward the market, I tell him, “This round of drinks and cigars is on me.”
“Okay,” he says, quickly turning the corner with our Japanese amiga without another word.
I get the impression he half-expected me to say that.